05 Jun 2019
I can’t believe it’s been a year already!
Blind the Eyes came out on June 1, 2018, and in a weird and totally-unplanned-for twist of fate, it was three years to the day since I first sat down to write it, making this officially my fourth year as an author (shock).
To celebrate, here’s a look back at one year of awesome milestones and a fun bookbox giveaway:
When I talk about how much I love international readers, this is one of the reasons why. The first ever copy of one of my books to sell was a preorder of the BTE ebook, and it went to a reader in the Philippines.
To be entirely honest, I would have been thrilled just to sell a copy to someone I wasn’t related to, but it’s super cool to know exactly who gave me that first vote of confidence. :)
It was almost two weeks after launch, blogger reviews were slowly filtering in and I was still wrestling with KDP to get the paperbacks posted when I got the email.
BTE was selected to be featured in the Summer 2018 Barnes & Noble Press Presents promotion. In case you’re not up on current trends in bookselling, B&N is one of the curated storefronts where human beings (instead of just algorithms) select books to be featured.
After two weeks of book launch madness, this was definitely a welcome development!
Almost three weeks post-launch, but better late than never (sob) Ingram Spark came through with gorgeous paperback proofs. I’d spend the next six+ months wrestling with KDP support to get cheaper versions out to stores, but yay, pretty books!
A second Camp NaNoWriMo saw the end of the first draft of Beneath the Surface—now available to newsletter subscribers as the prequel novella Under.
I’d like to circle back and rework this story into a full novel with some tweaks, but y’all are waiting on the sequels, so . . . some day. (shrugs)
BTE was finally available in three (out of four) formats—and man, those hardcovers look good. Audiobooks are still to come . . . whenever I get free from this #$%^ sequel, lol.
Also in November, Regina Wamba’s gorgeous cover design for BTE was shortlisted as one of the top 10 Science Fiction & Fantasy covers of 2018 by the rad team at Kobo.
Another best-of list! Just before Christmas the Barnes & Noble Press team let me know they’d selected BTE as one of their “Top 20 Favorite Indie Books of 2018” and called it:
“A unique twist on the YA-dystopian genre, Wiggins weaves a complex tale that unfolds like a dream itself — mystical, and sometimes odd, but always captivating.”
Thanks so much for the kind words, B&N Press!
Yes, finally the long-awaited KDP paperbacks finally got unstuck from the bowels of the internet and appeared in stores. Rejoice!
I also kicked off a year of releases with Letter From the End of the World on January 31.
I don’t believe in New Years Resolutions, so let’s call it a quiet scheme to release a story a month (mostly to make up for being s l o w getting that sequel out to you).
Letter is a super-short epistolary second-person villain origin story in the Threads of Dreams world.
I basically just recycled some of my worldbuilding and backstory notes into a side story to explore the possibilities of Kindle Unlimited, so I was frankly shocked to hear from a small international publisher asking about translation rights.
A couple rounds of successful negotiations later and *Lettera dalla fine del mondo” is now available in Italian from Virgibooks, Inc. First translation deal!
Somewhere in between, the 30,000 word prequel novella Under launched to newsletter subscribers.
The Unsought Light debuted as a Valentines Day free read before getting reworked for KU. First story outside of the Threads of Dreams series!
Also in February: first interview, thanks to Mary Bernal of My Books My World
And ALSO, this funny little email about some event in India . . . which brings us to:
I was invited to speak at a children’s literature festival in Mumbai. Even more unexpectedly, I said yes—and loved it! Turns out I love talking about books and encouraging readers and writers—who knew?
I had a great time at Creative Ink Festival closer to home in Burnaby a couple weeks before heading to India as a “practice run” too—great to meet some new friends and make a lot of really exciting connections at both events. Will definitely be on the lookout for more chance to get out and connect with y’all offline more often!
Writers reading this might laugh, but it hadn’t really occurred to me to try to license short fiction—even after my first attempt getting snapped up for translation.
But I kind of stumbled across an online call for submissions for speculative stories about water and . . . 1,600 words later a weird, creepy, delightfully dark faery story called On the Edge was snapped up the first place I submitted! They called it “exceptional and lyrically beautiful” so there’s that.
Look forward to reading that later this week at Enchanted Conversations Magazine!
Looking back, it’s hard to believe all the amazing things that have happened in just one year!
So many of the things I expected didn’t happen and tons of things I never would never dreamed of have, so it’s very much been an exercise in adjusting expectations and getting excited about what is.
And so many of those great things are because of the amazing readers, bloggers, bookstagrammers, and other supporters who have taken the time to write reviews, post pictures and, you know, buy books. So, thank you, everyone!
To celebrate, I’ve put together a bookbox inspired by some of the highlights and events of the past year:
Signed paperback of the brilliant Kelley Armstrong’s terrifying YA paranormal thriller The Summoning from Creative Ink Festival
Paperback of local author J.M. Barrie’s faery fantasy Liminal Lights from Creative Ink Festival
Hand-bound copy of The Unsought Light with a matching (unlined) notebook
Gold elephant bookmark and shape notebook from Mumbai
One bonus paperback from my collection! Choose from dystopian, dark fantasy, or a copy of Blind the Eyes
29 May 2019
Just a quick update today: one of my stories got accepted by a literary magazine! Okay, it’s really more of a genre ‘zine, but either way!
It might seem like a weird thing to get excited about at this point in my career, but it’s actually a first for me. I’ve had short stories win contests, indie-published, and licensed for translation (and published long-form fiction), but I’ve never actually submitted to a publication before.
Even more excitingly, the story was picked up by the very first place I submitted to! (They called it “exceptional and lyrically beautiful!!”)
You can read On The Edge in Enchanted Magazine’s June 2019 edition. It’s an NA horror/dark fantasy faery story about walking on water, adulthood & escaping reality in the Scottish Highlands and the ending is possibly my favourite thing written to date.
Hidden paths and ancient ruins! Creatures beneath the waves! ALLLL the millennial angst. Very On Brand #monstersandmagic ✨
Also, it’s inspired by my actual adventures in the UK. Up to you to guess which parts~
07 May 2019
Looking for my books IRL? Here’s where you can find them:
Quincy Books (3734 W. Broadway Street, Quincy, IL—1 copy Blind the Eyes, paperback in stock)
Fraser Vally Regional Library (locations in BC, Canada—2 copies of Blind the Eyes, paperback)
Patagonia Public Library (346 Duquesne, Patagonia, AZ—1 copy of Blind the Eyes, paperback)
Watch this space; I update as more locations get added! Also, I’d love it if you’d take a moment to let me know if you spot it in any other retail or library locations so I can add it to the list!)
If you want to request one of my books (or any book, really) at a local indie bookshop, chain bookstore, or library, all you have to do is give them the author, title, and, if you can, ISBN number.
For Blind the Eyes, the ISBNs are:
02 May 2019
The Children’s Literature Fest in Mumbai was spectacular, guys—I wish you all could have been there!
Huge shoutout to ORCHIDS The International School and the other sponsors, and Rupsa and her team for making it happen.
(They also made this rad video—you can see they’re skilled by how they edited my barely-coherent flailing interview into something cool~)
Apparently this was not only the first Children’s Lit Fest in Mumbai, but the largest anywhere? I think 10,000 guests over the course of the festival were anticipated. (So happy I don’t get stage fright!)
The level of production was just unbelievable; they had this thing they called a “story street” that you can catch a glimpse of in that YouTube where they’d created like 10-foot high vinyl-printed illustrations and pop-up installations all along a corridor so you literally walked through stories to get to the festival.
All the storytellers (guest speakers) had these personalized introduction videos (also: we got to walk on stage to epic film soundtracks.) Total celebrity moment! Plus the festival had its own theme song (and later, music video!)
I was so busy connecting with everyone, I didn’t really get around to taking any decent pictures, but you can find some of the videos and images from the festival here.
The team worked so hard—just nonstop running around to make it all happen (one even broke her leg and kept going!! Badass, Taniya!) and it was cool to hear how the whole thing came about because they’re encouraged to come up with creative, ambitious projects.
Some sessions were standing-room only, but one of my favourites was near the end of the festival when only four kids showed up and we got to just circle up chairs and chat writing for a couple hours. Brilliant.
Speaking of brilliant, these kids—wow. I was speaking to mostly 11-14 year olds, with some sessions attended by older teens and adults, and I was worried if they would be too young at first, but even the youngest ones were totally engaged. I wish I’d been half as confident and able to communicate effectively at their age!
Another cool moment: because I mostly sell books online, I’ve only ever personalized books for friends, family, and reviewers. But one awesome dad who brought out his daughter to multiple days of the festival bought a copy as a surprise for her after her next exam. Such a cool moment for me (and I hope for her!)
If you’ve been hanging out with me for a while, you’ll know that I almost didn’t go, but I’m so glad I did. It was amazing meeting all the brilliant guests, sharing stories, talking writing, and getting to spend time with so many great people.
(I’ll be working on a series to introduce you to some of them in the newsletters and on social in coming weeks.)
As a creative and business owner in the 21st century, I’ve really had a digital-first mentality. But now I’m absolutely going to be seeking out more chances to connect with readers and writers offline as well~
Thanks to everyone who helped put on the event, taught, or attended a session—I can’t wait to do more events like this!
10 Apr 2019
I will be teaching a masterclass, participating in panel discussions, and leading sessions on three topics (descriptions below). Check the schedule for last minute changes and updates.
Download: Useful resource links
Getting Started as a Young Writer (PPT Notes)
Young writers can benefit greatly from sharing their work. Learn about some of the best ways to get started, whether you’re ambitiously building a career, or recreationally enjoying the wonderful community and creativity of writing.
This session will discuss identifying your goals, types of writing you should try or focus on, and where to start sharing your work.
Masterclass: From Scribbles to Prints (PPT Notes)
Getting a book from concept to store shelves is a massive undertaking! Writing is just the beginning: learn about traditional and independent pathways to publishing your work.
This masterclass will discuss choosing your direction, understanding the business of writing, and the practical steps involved in taking a book from concept to completion in a traditional or independent market, as well as introducing some key resources.
Worldbuilding for Storytellers (PPT Notes)
Whether you’re writing magical otherworlds, dystopian futures, or contemporary, realistic fiction, worldbuilding is a key art to master.
This session will offer a quick overview of the role worldbuilding plays in stories, how to craft a compelling story world, and how to integrate worldbuilding into your story without getting overwhelmed.
2:30-3:00 Magic & Monsters (PPT Notes)
Why do we write fantasies, paranormal, and horror stories? How do stories—especially “unrealistic” ones—help us in our own lives?
This session will discuss the role fiction and storytelling has in society and for individuals.
Original Post: March 4, 2019:
I’ve been invited to speak at the Orchids Literary Fest in Mumbai!
It’s being held April 18-20 at Orchids The International School, Malad campus, so if you’re in the area, come say hi. :)
It’s a children’s literature fest, but there will be panels, workshops, and opportunities to connect across various storytelling mediums and for all ages. Plus, it’s free to attend!
I’ll post an update when the full schedule has been pinned down (including which sessions I’m in!), but so far there are local and international actors, dancers, visual artists, and—of course—writers attending.
Take a look for yourself at: orchidsliteraturefest.com
31 Mar 2019
Before her deal with the devil, Maryam Ajera was . . . anything but ordinary. Read the letter she can never send to the son she can never acknowledge confessing the true story of their world before its fall.
Brilliant academic, driven professional, cynical wife, and reluctant mother, Maryam Ajera’s ambition knows no bounds. She’ll sacrifice whatever it takes to rise to the top. But when her secret mission to stop the end of the world gets hijacked by tragedy, the monstrous intelligence possessing her dying city forces her to choose between surrendering her life or signing on for an eternity of sacrifice.
In a city overrun by monsters, she’s not the only one who’ll pay the cost.
Discover the unexpected villain origin story of the unearthly Mayor of the Towers of Refuge in this short spinoff to the Threads of Dreams series. Suggested as a companion read, this short story covers events leading up to Blind the Eyes and can also be enjoyed as a standalone.
Letter from the End of the World launched on January 31, 2019 and it is a Kindle Unlimited exclusive short story/flash fiction title, so you can only get it on Amazon (at the moment).
I’m also very excited to announce that Italian language ebook rights for this title have been licensed to international publisher Virgibooks, Inc. The Italian translation, Lettera dalla fine del mondo, hits Amazon stores today!
Since this is a short read, print editions are not planned at this time.
28 Mar 2019
I’ve been aiming for one new story a month this year.
First up was Letter from the End of the World, a Threads of Dreams flash fiction at the end of January. The translation, Lettera dalla fine del mondo, comes out at the end of March. I managed to wedge these two right in between:
Daughters don’t get to choose their fate. But there’s one choice no one can deny her.
Promised from birth to the son of the clan lord, Hana’s only joy is gazing out over the lake beyond her window. She dreams of floating away on the breeze like the cherry blossoms, but when an otherworldly stranger offers a chance at escape, duty and desire collide in a war that threatens to bring down her family, her clan, and her village.
Freedom. Passion. Family. Fate. What do you do when there are no good choices left?
A gothic retelling of the ancient Japanese folktale The Maiden of Unai, this short story explores the untold perspective of the “maiden” destined for an arranged political marriage in a time and place where family fortunes mattered more than individual happiness or choice. A historical romance in the vein of Rome & Juliet with a supernatural twist.
Trigger warning for suicide.
This is a standalone short story (the setting might have tipped you off?) and it is also, at least for the moment, exclusive to the Kindle Unlimited program, so you can get it on Amazon as of today.
(Pro tip: Kindle Unlimited books are always free to KU subscribers, but one advantage of the program is the ability to do dramatically lower pricing or even price to free every so often, so you might want to follow me on Amazon to get alerts about sales.)
So, I’ve been promising you guys a prequel novella since last summer and it’s (past) time to deliver.
The reason you didn’t get Under last July is that I finished drafting it, replotted it, and came up with a much bigger story to tell, and one which needed tweaks to fit properly into all the complexity of the Threads of Dreams series. That story is Below the Surface, and it’s going to have to wait its turn (lol).
But Under is a fun, fast-paced little romantic thriller all on its own, so I cleaned it up a little and made it into a newsletter subscriber freebie!
Sibling rivalry takes a new turn as sisters fight for love, identity, and survival in a monster-infested drowned city.
The twins’ bond kept them together through everything the Towers of Refuge could throw at them. But when Ange fakes her own death in a rash attempt to protect her sister, her twin runs away to join a secret club in the abandoned levels of the tower below the floodwaters.
Ange is determined to bring her sister back. But the secrets—and the strangers—they discover below the waterline could sever their bond for good.
This SFF/spec-fic prequel story takes place less than a decade before Blind the Eyes and blends monsters and magic with near-future post-eco-disaster cityscapes for a fast-paced, genre-bending romantic thriller.
Join the newsletter to download a free complete copy of Under and an extended preview of Blind the Eyes.
23 Feb 2019
Bear with me, guys. There’s been a ton going on this year (how is it almost March?!?) but between releasing new stories, writing newsletters, book marketing, sublicensing, translations(!), international speaking invitations, and even a dash of actual writing in all that, I’ve fallen behind on updating this site.
So . . . keep an eye out for all those things, I guess? And I’ll try to copy important news over here as soon as I get a chance.
18 Feb 2019
Amy Bernal of My Books-My World interviewed me on her blog.
Check it out for awkward photos, way more than you ever wanted to know about my process, and a sneak peek excerpt!
21 Dec 2018
(first published in newsletter December 21 edition)
Christmas is next week. How are you doing?
I hope you’re having an awesome holiday season with not a cloud in the sky, but for many of us, Christmas is a tough time.
And maybe it’s because New Years looms—with all of its pressure to look back, reevaluate, and set those dreaded resolutions—that it also tends to be a season that shines a harsh light on the gap between reality and our dreams.
Christmas movies love diving into this stuff.
The endless flood of holiday romances, with or without kids in the picture, unpack the longing for love (and freedom from family and societal expectations) and a desire to return to a childlike place of belief.
We dream our prince will come . . .
Or our dead-end career will be replaced by something we love—that also makes us super-successful . . .
(The turkey will make itself . . . )
We’ll save the farm/family business/small town/ . . .
Estranged family members will reconcile . . .
Our enemies will repent from their wicked ways . . .
The ones we’ve lost will return to us . . .
(Peace on Earth . . . )
The true meaning of Christmas will transform our hearts . . .
Magic will return to our world . . .
It’s easy to read those lines with a cynical inner voice. How silly. How childish. We live in the real world.
Geez, those fantasy writers, amirite?
To be honest, I’m really not a fan of all those Hallmark-channel specials.
I don’t believe a prince will come and transform my world.
I already quit the terrible job, and while the new one is amazing, it’s still a tough slog and when it comes right down to it, work is still work.
Family is complicated and magic is hard to hold on to.
Peace on Earth and goodwill to men (& especially women) seems to get further away every year.
So where does that leave us?
While I’m all for escapist fantasies in whatever form of media you prefer, it’s also important to live in the real world at least some of the time.
But almost every woman I know is on depression and/or anxiety medication. Suicide rates are skyrocketing.
If right here, right now is all there is, people are opting out in droves.
And, without discounting the value of medication, therapy, and other treatments, I think there’s something about Christmas that can help all of us, wherever we’re at.
Before the song was the poem.
It gets crowded out these days by endless renditions of Jingle Bells and the controversy swirling around Baby It’s Cold Outside, but perhaps you’re familiar with an old carol: I Heard the Bells on Christmas Day.
It’s a pretty tune, even if it doesn’t get that much radio play.
But take a look at the original text:
I heard the bells on Christmas Day
Their old, familiar carols play,
and wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”
It’s a poem about war and death and destruction.
Cheery, right? So festive!
Here’s the backstory:
In the mid-1800s, the dress of an accomplished artist, academic, art critic, mother, and wife named “Fanny” (Frances) caught on fire while she was with her children.
(Flammable women’s fabrics & dress designs were an epidemic of the time.)
Though she ran to her husband for help (and presumably to spare her children) and he sustained severe injuries trying to save her, she died the next morning.
Her husband had pursued her for over seven years prior to their marriage and would mourn her to the end of his days. Christmas was a particularly hard time after her death, as evidenced by his journal entries.
But the story doesn’t end there.
This widowed father of six was the famed American poet, Henry Wadsworth Longfellow, and his home was the headquarters for George Washington in the early days of the American Revolution.
The year after Fanny Longfellow died, their eldest son ran away to join the Union Army during the American Civil War.
The following year he was shot in The Battle of Mine Run.
His father raced to his side in early December, learning that the bullet clipped his spine and paralysis was likely. Young Charley Longfellow survived, eventually recovering most of his mobility, but that moment had to have been devastating.
Henry Longfellow was nearly 60, widowed twice over, with six children under the age of 20, the eldest of whom was likely to be paralyzed for life.
And his country was ripping itself apart.
Longfellow wrote the poem Christmas Bells that December—but there’s one more verse that I didn’t include above.
He ends his lament against loss, death, and destruction like this:
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”
Do you hear the triumph in that final stanza?
“The Wrong shall fail, The Right prevail . . .”
What an absurd perspective. The world was a scary place in the mid-1800s.
It still is today.
There’s pain, loss, the small deaths of day-to-day miseries and the greater deaths of the ones we love.
War continues on, unrelenting. Oh, and we’re probably ruining the planet.
But Christmas reminds us to find and hold on to hope in the darkness.
It makes sense—the earliest baby-in-a-manger source of Christmas was about hope for a broken world.
Along the way, it’s picked up on other influences. Winter solstice—light returning to a dark, cold world. Legends of spirits and saints bringing some comfort into the harsh realities of winter.
Even the commercialistic modern Santa offers a kind of hope—if only for parents to be freed from shopping lists, for kids’ dreams to come true. For a last taste of magic in our prosaic, capitalist world.
Hope can make a difference.
It doesn’t deny or ignore yesterday’s mistakes and losses or today’s realities, but it validates dreams for a better future.
It doesn’t tell you you’re wrong or weak or foolish for the longings of your heart, but encourages you to continue on through whatever today may hold for you.
Hope frees you to keep living. To keep trying. To keep believing. To keep loving.
So this Christmas my wish for all of you is that you find hope that sustains you through this season and all your tomorrows.
18 Dec 2018
So excited to announce that Barnes & Noble Press have just named Blind the Eyes as one of their top “20 Favourite Indie Books of 2018”!!
Here’s what they had to say about it:
“Why we loved it: A unique twist on the YA-dystopian genre, Wiggins weaves a complex tale that unfolds like a dream itself — mystical, and sometimes odd, but always captivating.”
Check out the other awesome titles on the list for more great indie book recommendations!
27 Nov 2018
Welcome back to the book cover design miniseries! To recap:
Part 3 (first published in the Nov. 27, 2018 NL) is about the design for Blind the Eyes specifically.
If you’ve been with us for a while, you might remember some of my (D.I.Y.) prelaunch covers, like this one:
The last version before the true cover reveal!
I did try to get the design as close to story–accurate as possible, but the limitations of stock photos and my Photoshop skills are clear.
Thankfully, superstar cover designer Regina Wamba’s mad skills and hyper–organized approach came together to create something both subtler and more specific, as well as, you know, gorgeous.
I flooded her with 10 pages (!!) of notes about genre, setting, symbolism and visual elements, inspiration, characters, etc. plus an overstuffed Pinterest board of cover inspiration, and she came through with a stunning concept that made sense of the chaos I dumped on her:
Here’s how some of those themes, plot elements, worldbuilding details, etc. informed the visual design:
For those of you who haven’t had a chance to read BTE yet, the entire book takes place in (and under) a single tower in a flooded and monster–overrun city. The tower is a place of both refuge and oppression, as is so often the case, and defines the limits of main character Cole’s worldview and identity for much of this first book.
While technically fantasy, BTE also has a post–apocalyptic setting, and the Towers of Refuge are based on a real–world location: Bentall Centre, a series of integrated office towers built over an underground shopping mall in Vancouver, BC.
I love the way this blends gothic fairytale castle with imposing corporate monolith. The tower looms and bisects the flow of the page. The textured gold fill is simultaneously enticing and tarnished. Perfection.
Gold & Silver/Light & Darkness/Mist & Decay
I wanted to get away from communicating in terms of white and black/light and dark, so in the book (/trilogy), silver and gold are the most important visual cues.
Gold is extravagant, enticing, overwhelming, excessive, even menacing. It’s a glittering mask over reality. Silver is subtle, ephemeral, subversive, easily overshadowed, but also a bearer of light. It manifests in the margins with unexpected power (and readers may recognize a character–driven reason for the rooftop beam dominating the cover.
Both are present throughout the design, pushing against one another, holding the tension. Mist/fog is part of the worldbuilding, trapping humanity, corroding the city, and hiding the nightmarish Mara, and adds visual texture. The negative space of the title speaks to hidden realities, both truth and lies that hide in the shadows, exposed not by their presence but by the weight of their absence.
Cole exists in a world that insists on isolation, and she starts from a place of embracing that value. She quickly starts to question her world, discover what lays beyond its borders, and find the power to change the world and her place in it.
The interconnected threads/web visual elements speaks both to this theme of connection (both productive and destructive, illustrated by the gold and silver tones), as well as the powers that Cole begins to perceive and interact with.
It also just looks wicked cool . . .
Genre Crossover, Detail & Format
Cover design needs to meet readers’ expectations for the genre and perform on a functional level. Genre is MUCH harder to pinpoint than you’d think. It incorporates age group (MG vs. YA vs. adult), subgenres (is it Gothic fantasy? Gaslamp? Dystopian fantasy? etc.), and there are even differences between indie vs. traditional cover design trends within the same subject matter/subgenre.
In the case of Blind the Eyes, it hews closer to traditional/big publishing trends in YA fantasy (illustrated/graphic cover design) as opposed to indie trends (girls looking fierce with weapons and/or ball gowns), and I love it.
On the functional side, the cover needs to be eye–catching in small, thumbnail sizes, but still work at full–size and, in my case, various formats of print. Tucking enough detail so it doesn’t look raw and unfinished at larger sizes without muddying the form so much that it looks like a mess at smaller sizes is no joke, and colour profiles vary widely between digital and print formats. (Things look brighter on a screen, since they’re backlit, for instance.)
I’m in awe of how subtle, dynamic, and eloquent the design turned out, and I can’t wait to see how the designs for the sequel looks!
24 Nov 2018
Welcome back to the book cover design miniseries! To recap:
Part 2 is about the process of commissioning a cover design
While designing my own covers was good practice and the outcome could have looked (much) worse, leaning too hard into a D.I.Y. ethos can be a mistake. I felt it was important to work with experts where appropriate—and design work (like editing) is one of those areas where it makes sense to recognize your own limitations and invest.
In this case, those limitations were both creative and technical. My artistic and Photoshop skills aren’t that finely honed, and light alterations to stock photos were about all I can manage. All my attempts at cover designs were only as strong as the stock photos. I could have flailed around for a few hundred more hours and hoped to hack my way into a reasonable layout, decent photo, and genre-appropriate outcome . . . or I could work with a professional.
I started looking for a cover designer WAY early (mostly because I originally planned to publish about a year before my actual launch date.) Many of the character traits, themes, and worldbuilding elements were already established, but some things did change considerably. It all worked out, as you’ll see, but I’d recommend caution if you’re a pre-published author eager to get your cover ordered.
That said, there’s usually a waitlist involved. I’d been keeping an eye out for cover artists and enquired with Regina Wamba in early March after seeing her work on Instagram. She has her business very well organized, which was helpful in quickly getting a sense of whether we could work together or not.
Specifically, I sent a sort of preliminary enquiry clarifying what I was looking for and asking about rates. She confirmed that she’d be interested in the project, sent over a “menu” of services, and set the timeline.
Because Regina’s also a superstar photographer, her offerings ranged from ebook-only cover design (using purchased/3rd–party stock photos) all the way up to custom photography shoots to capture the exact look of the story.
Once a design package was agreed upon, there was a contract to sign, a 50% deposit to pay, and lots of homework. Depending on what you select and who you work with, these terms could vary, but creative work tends to take time, and freelancers have to schedule projects (and therefore often can’t do things immediately/last minute).
In this case, the designer asked for 4-6 weeks minimum to process design inspiration, and I ended up letting her know that there was no rush on the design (because I got held up on the editing side) so it was a few months between drafts.
Design homework on the author’s end can look like anything from some quick notes about design ideas to a collection of images or comparable covers. In this case, Regina had a sort of survey for me to fill out that asked about everything from technical requirements (who’s your printer? what are the dimensions?) to setting, characters, theme, and visual elements to the story.
Given my (obvious) inability to be concise and restrained when it comes to wording, I flooded her with ten pages of chaotic scribbles. And a Pinterest cover inspiration board with over a hundred covers to sort through. So, yeah, you can see why designers ask for several weeks to let it all sink in!
That was the main effort on my end. There were a few small back–and–forths with the draft, but it was over 90% there from the beginning. (The first round had a flowery, more “fairytale”–looking border, and no beam of light.) Deciding on cover text was also surprisingly difficult and made for extra work for the designer; I change up my hooks and blurbs too often, lol.
Design drafts are low-res screencaps, so once a design was finalized, I got a dropbox link to full-size covers. In my case, I hadn’t anticipated all the design resources I needed in the initial order, so that added a few steps. Since the overall concept was there, though, and the cover art was graphic not photo–based, ordering larger–format covers (i.e. the square–shaped audiobook cover and the extended artwork for the hardcover) wasn’t a matter of redesigning so much as simply specifying the dimensions and any new cover text. And then, every new format goes into a work queue, so that takes some time as well.
So, that’s pretty much the process from my end! If you’re a first–time author or indie–publisher getting ready to order your first cover, the steps are roughly:
Part 3, how the design of BLIND THE EYES is informed by worldbuilding and thematic visual elements, is in the Nov. 27 newsletter.
23 Nov 2018
Thanks to the team of lovely human beings at Kobo for shortlisting Blind the Eyes as one of this year’s top 10 Science Fiction & Fantasy covers!
You can check out the full list and vote in the public voting round until Nov. 30.
I started drafting a special cover edition of the newsletter and realized there was WAY too much content, so I’m breaking it out into a blog series instead!
First of all: shoutout to my amazing cover designer Regina Wamba who designed the published covers for the Blind the Eyes ebook, paperback, hardcover, and audiobook editions. I’ll link out to some of her content within this series to bring in the designer’s perspective, but mostly this will be from the author/publisher’s perspective.
Part 1 is all about the different types of covers (D.I.Y., premade, and custom).
Okay, here we go. Let’s start with an overview of the options, starting with D.I.Y.
A great cover can have a huge impact on the success of a book, which is why it’s one of the most important outsourcing choices and biggest expenses after your editor (and, y’know, the author’s time).
If you’ve been with us for a while, you might remember some of my prelaunch covers:
For those of you aspiring authors: yes, it’s entirely possible to make your own and spend . . . well not quite zero dollars, but very little.
When I worked in corporate marketing, I used Photoshop and did a certain amount of design, so I wasn’t completely without skills. As an early publicity stunt (& just for the practice), I actually released the first beta readers editions in five–chapter segments and created a unique cover for each one. I paid for some stock photos, but the total cost was fairly minimal. I also had an old version of Photoshop to use, but you can subscribe for a month at a time or use other desktop, app-based, or online design programs (like Canva) with varying levels of sophistication.
For instance, the two Wattpad story covers (on the homepage) were made in the Typorama app with (free) built-in images and fonts, so obviously your mileage varies in terms of outcome. Are they the worst thing in the world? No—especially not for free or very low cost. But they’re also limited by a LOT of factors, including technical specs, imagination, design sense, understanding of genre trends, etc.
Designers sometimes sell covers with placeholder text, and you can get a great deal if there’s one that matches your book, as long as you don’t need any changes. (Shoot me a message if you’d like some suggestions of where to look if you need one!)
This is a pretty broad category, which could include everything from photomanip (Photoshopping stock images) to dedicated, exclusive photo shoots, to graphic or fine artists producing original works of art and then converting these into a cover or working with a design team to create the finished product.
On the low end of custom design, you might work with a less experienced or polished designer for under a hundred dollars to a couple hundred. On the high end, you’re talking thousands or tens of thousands (e.g. for a photoshoot—possibly with paid models and on location—or an original work of art).
That can sound breathtakingly expensive (especially when placed against the likelihood of actual earnings from your book), but it takes time, skills, and experience to produce professional quality work, and the best designers are in high demand.
Cost will also be impacted by formats. An ebook cover is the least expensive option: you just need a rectangular .jpg that looks okay in thumbnail format and on a screen. But a paperback cover is more work for the designer—they have to produce a print–ready PDF and make the design wrap around the spine and back. A hardcover dust-jacket is even more work (you need to continue the design further into the flaps), and even an audiobook cover may be a challenge if your design was originally meant for portrait mode, not square format.
Then there’s the marketing extras. Some cover designers offer additional services like graphics for social media, cinemagraphs or gifs (motion versions) of your cover, book trailers, “making–of” or behind–the–scenes videos, etc.
If you’re an author pricing out covers, always check what’s included in a price against what your actual needs will be (and consider bundling formats at the start for a discount.)
22 Nov 2018
So, clearly I don’t update the site often enough. Just a heads-up if you dropped in looking for more interaction: I’m on social media at least weekly and even the newsletter goes out more often than I post here, so stalk accordingly. (links in the sidebar)
That said, I’m going to try to get a little more content up on here. Some stuff you mighta missed over the last 4 (!!) months:
Hardcovers are OUT!! They look rad, and you can request paperbacks or hardcovers from your local library, indie bookseller, trade bookseller, or shop online at your preferred bookstore.
The next release (Under the Surface) has been delayed, but it’s still coming! It’s a prequel novella (assuming I can keep the wordcount under control) and newsletter subscribers at the time of release will get it in ebook format for FREE because y’all are amazing. But it won’t stay free forever, so def. get those subscriptions in!
I’m trying out a weekly newsletter format with feature content, some of which may make its way over to this blog space eventually. Planned topics include the recap edition (photojournal/apology for where I’ve been for the last few months), the cover edition, the library edition, the plotting edition, and the character edition (and maybe one on worldbuilding? or edition? who knows!)
Also re: the newsletter, I do featured reviews and bookish shoutouts with every edition, so if you want to recommend a book to the other subscribers or feature your feed, sign up & give me a shout.
I try not to spam the NL list all the time, so if you’re really keen on hearing about sales, follow me on social media or on a specific bookstore for alerts.
19 Jun 2018
The first proofs just arrived and they look great! I’m celebrating with a giveaway on Instagram, check it out here.
And if you’re not on IG, you might want to head on over to the newsletter! 99% chance there’s gonna be a paperback giveaway in subscribers’ future~ ;D
13 Jun 2018
I’m super excited to announce that Blind the Eyes has been handpicked by the Barnes & Noble Press team for the Summer 2018 B&N Press Presents list!
As a creator, it’s always awesome to get a vote of confidence from a respected source like this. Blind the Eyes is on a special sale to celebrate, and it’s in some great company, so why not head over to check out the list and pick up a few summer reads while you’re at it?
Here are a few I’m most excited for:
Another dystopian fantasy crossover with nightmare monsters–it’s this summer’s epidemic!
Chronopoint was only meant to be a game, but Kiuno finds herself trapped in that world.
|As hideous, twisted monsters only seen in nightmares plague her every move, will she find allies in time or discover death has taken far more than she’d ever imagined?|
A monsters and magic-infused sister story with a fairytale sensibility.
Any girl who goes into the Forbidden Forest never comes out again. Except the one who did. Beauty and the Beast meets The Pied Piper.
Larkin should have been watching her sister. She goes after her into the woods and even manages to escape again, but not before discovering the truth lurking beneath the wicked boughs.
Larkin may have evaded the beast once, but with the full force of his magic now fixated on her, she isn’t sure how much longer she can resist.
A dystopian fantasy featuring a brainwashed girl who learns to see past the lies of her homeland and fight for what matters.
Aleja is the most celebrated young woman on Corazon, an ancient and mystical island where laws and traditions are carved in stone.
Every generation one Daughter is chosen to be the Vessel. Aleja accepts the honor willingly–until she discovers her sacrifice only serves a lie that enslaves her people.
In order to survive, Aleja must reject the world she thought she knew and learn that even rules in stone can be broken.
12 Jun 2018
seven (and counting) (currently one, with another coming next week) for fantasy readers, paranormal readers, dystopian readers, YA readers, horror readers . . . just go enter already!
Enter here by July 2.
Fantasy Bookcrate Giveaway (ended May 26, 2018) Fantasy Paperbacks Giveaway (ended May 26, 2018) Ultimate Twilight Giveaway (ended May 30, 2018) For the Love of YA Giveaway (ended May 30, 2018) SFF & Horror Ebook Instafreebie Giveaway (ended May 31, 2018) Bookbub Giveaway (ended June 2, 2018) YA Fantasy Giveaway (Ended June 11, 2018)
01 Jun 2018
Three years ago today, I was sitting in so-hip-it-hurts Vancouver standby Brassneck Brewery with a tasting flight, an iPad mini, and a bluetooth keyboard in front of me.
Actually, I totally didn’t plan it this way. Facebook very helpfully reminded me this morning with this photo!
Photographic proof that I was typing the first lines of what would eventually become Blind the Eyes on June 1, 2015.
It went on sale today. Three years to the day. I mean, I wish I’d been on it enough to plan it that way, but, um. Total coincidence. ANYWAYS.
Super thanks to my amazing Beta readers who slogged through the many, many drafts over the last three years and to my awesome ARC readers who are already posting reviews!! All-stars, all of you!
23 Apr 2018
Reminder: join the newsletter to be the first get content like this and more exclusives. Here’s a quick list of what’s going on:
First off, thanks for all your nominations! You pushed BLIND THE EYES to the trending list on Kindle Scout!
. . . Unfortunately, they announced their plans to cancel the whole program on the last day of its campaign, so . . . yeah.
Corporations . . . mumble grumble
Just wanted to say how much I appreciate your support in this prelaunch phase. It’s been a long wait, but we’re finally nearing the end – aaand, on that note:
. . . for real this time!
I’m not quite ready to announce preorder and on-sale dates for BLIND THE EYES, but plans are well underway. There are a few extra hoops to jump through in order to get print editions, but digital Advanced Reading Copies/Review Galleys/Digital Proofs (whatever you want to call them) are nearly ready to head out into the world.
If you’re a book blogger, reviewer, #bookstagrammer, etc. and would like an early review copy of the ebook, get in touch!
Um, yeah. It sort of just snuck up on me?
I mean, there I was, minding my own business, racing to get BLIND THE EYES out to you and the sequel underway and . . . BELOW THE SURFACE pulled a JAWS on me and dragged me under.
What it is: a spinoff short that takes place ~6 years before the events of BLIND THE EYES and the main THREADS OF DREAMS trilogy.
Blurb: The twins’ bond kept them together through their parents’ murder, the memory wipe, and assignment to separate work divisions in the Towers of Refuge, the only surviving habitat in their flooded city.
But when protective older sister Ange follows carefree Amy into the abandoned lower reaches of the towers, the secrets they discover below the waterline could sever their bond for good.
A dystopian dark fantasy that ranges from the sterile Towers of Refuge to glittering clubs and abandoned tunnels, BELOW THE SURFACE is a prequel to the Threads of Dreams trilogy and blends monsters and magic with near-future post eco-disaster cityscapes and a splash of romance.
I’m doing this for Camp NaNoWriMo, which is a spinoff version of National Novel Writing Month where you set your own goals and pick a writing target for the months of April and July. The idea is for this to be a long short story or short novella, in the 20-30k word range, that I can release as a free newsletter exclusive in the next couple months.
So in other words, sorry that you’re going to have to wait longer for a sequel, but on the flip side, there’ll be something cool to read in the meantime~
I’m ramping up marketing in advance of the BLIND THE EYES book launch and I’ve got a bunch of giveaways planned over the coming months. Some of them are multi-author team-ups, while others will be exclusive to my followers.
You just missed the Ultimate Harry Potter Giveaway. Follow me on Twitter for giveaway news, since some of them will only run for a short time.
You can still enter the Fantasy Bookcrate Giveaway until May 26, 2018 to win a book box with surprise fantasy-themed content worth up to $600.
In the past, these have included books, gear or swag, and a high-value gift (like a Kindle or an Amazon gift card).
This is a multi-author collaboration giveaway and you can get entries by joining mailing lists.
I’ve also planned collaborative giveaways with dystopian and paranormal themes for those of you who like your fiction with extra bite. Again, you can follow me on Twitter to make sure you don’t miss any opportunities.
And while I’m at it, if you have any ideas for giveaway items or themes (like your favourite author/series/genre) for prizes you’d love to have a chance at winning, feel free to shoot me a message and let me know what those are!
Thanks for being on this journey with me; I can’t wait for you to read BLIND THE EYES! You can’t preorder it (yet), but you can Add it on Goodreads.
And don’t forget to enter those giveaways!
29 Mar 2018
I tend to have too many projects on the go at one time. My plan is to solve that by . . . yup, adding another one! Yaaaay~~
‘Kay, back to the new news. :) So I’ve entered Camp NaNoWriMo to push myself to make more progress writing a prequel to Blind the Eyes that will sit outside of the Threads of Dreams Trilogy and may be a serial, short story, or novella. It shouldn’t be all that long, maybe 10-20,000 words (contrast with BtE at 97k), and it’s not going to go through the same level of production.
The idea is that this could be some sort of incentive/newsletter exclusive or “reader magnet” - in other words, a freebie writing sample that lets me explore some of the world-building backstory, try out some different pacing and structures, and take a different sort of story for a spin while getting over my anxiety about writing book 2 in the trilogy (lol). But my projects have a tendancy to balloon in size and scope, so we’ll see - there’s a chance it could spin off into a full book/series if I don’t watch it like a hawk!
Camp NaNoWriMo runs in April and July, and it’s a sort of “choose your own adventure” version of National Novel Writing Month where you set your own goal (regular NaNoWriMo is a minimum of 50,000 words). I’m hoping the peer pressure/defined timeline/deadline helps me dig in and get my word counts back up and running!
To boost my motivation, I even made it a cover! Check out the synopsis, excerpt and cover on the campsite or scroll on for more:
The twins’ bond kept them together through the death of their parents, the memory wipe, and assignment to separate work divisions in the Towers of Refuge, the only surviving habitat in their flooded post eco-disaster city.
But when protective older sister Ange follows carefree Amy into the abandoned lower reaches of the towers, the secrets they discover below the waterline could sever their bond for good.
A dystopian dark fantasy that ranges from sterile towers to glittering clubs and abandoned tunnels, BELOW THE SURFACE is a prequel to the THREADS OF DREAMS trilogy and blends monsters and magic with near-future post eco-disaster cityscapes.
“I’m tired. Aren’t you tired? Maybe we should go back and do this another night.” Or not at all.
Amy hooked her arm through Ange’s and bumped heads. “I’m not tired, and I’m not letting you off the hook, either. This’ll be fun. It’s something different. Something new.”
“I like routine. It’s safe.”
Amy paused, their linked arms dragging Ange off balance. “Nothing’s safe. Nothing’s allowed. Which just makes it all more interesting, don’t you think?”
“You won’t be saying that when the Mara take you.”
Amy snorted and tugged on Ange’s arm to get her moving again. “The Mara are a myth created by Refuge. They’re nothing more than the Bakunawa, the Aswang, the Batibat, the—“
“Stop! Don’t. They’ll come for you.”
“Ange, come on. I haven’t performed submission for months and nothing’s happened to me. Refuge’s just making up monsters to scare us. To control us.”
The metallic tang of fear weighed down Ange’s tongue as she hurriedly muttered submission for the both of them: “I call upon the Mara to eat my dreams.” She repeated it three times while Amy threw up her arms and pressed on down the stairs.
Ritual complete, Ange hurried after her. “It’s not a lie. Our mother believed in the multo, the ghost-monsters, or don’t you remember? Our father told stories about the Nightmare, and the Each Uisge. Refuge protects us from the Mara.”
“Believe what you want. Anyway, if I’m going to get eaten by the boogeyman, I’m at least having some fun before I go.”
22 Mar 2018
Blind the Eyes is down to its final week in Kindle Scout! It’s been a great learning experience, and I’m excited to finish up the competition and get on with sharing this book with all of you.
When I first started researching Kindle Scout, there wasn’t a lot of information online from people who had recently gone through the competition, so for those of you who are interested (& for posterity), here’s what I’ve learned so far. I’ll also update after the competition closes with a retrospective.
That’s it in a nutshell, but of course it’s more complicated behind the scenes. Visit Kindle Scout for their current prerequisites and contract.
To apply for your first campaign, you need:
You can also add social media links and a few short Q&A style statements about your work. You’ll choose up to four categories (genres) for your book.
In case you’re not used to thinking in terms of character (not word) counts, this is all REALLY short and limited. Spend some time browsing on the KS site before campaigning. You’ll see that the first thing nominators see is your cover, title and tagline, so those have to pop. If they draw nominators in, they can hover over the cover to read the first half or so of your description, and click to see your campaign page, which includes the cover and tagline, full description, first few chapters of your book, and author bio, links, and any other information you shared. Keep in mind, there are less people looking at your material with each step.
These will automatically be seen by the most people and they’re your chance to draw readers/nominators in. Next most important is your description, then your first lines/first chapters (expect to start losing people after 5-10 words if the opening isn’t strong).
In my campaign, I think choosing a weak one-liner was my biggest mistake. That, and not writing a more popular genre to begin with! At only 45 characters, you’re hard pressed to cover setting, character, and stakes. Same with the description; there’s just not a lot to work with, so your choices have huges impacts.
It’s important to research data that’s as recent as possible; the KS program seems to be growing, and the effort-to-outcome ratio has changed considerably since the early days, and even within the last few months. A lot of early advice emphasized a professional cover and properly edited work would get you noticed. Based on the current stats being shared, you need a way to drive traffic to your campaign. Authors with books that hit and/or stay on the “Hot and Trending” board mostly have large mailing lists and author platforms and/or have paid for third-party marketing to advertise their campaign. That’s not to say that you don’t get organic traffic, and a cover/title/one-liner that really hits a hook or genre tropes that people love could theoretically rise to the top if it’s lucky enough to stay visible long enough, but a well-produced publication-ready book is no longer enough to get noticed on the site.
Indie authors in particular may not want to wait the 30-45 days it takes to be released from the Kindle Scout exclusivity period. I chose to participate because it’s free marketing. I was definitely too cocky about my ability to rise to the top without outside marketing efforts (I’ll dive into the data at the end of the campaign), but even without hitting the leaderboard, I was able to get 1k+ new eyeballs on my work at a minimal cost, take the book for a test-run to gauge response, and trial some marketing techniques.
Other benefits: at the end of your campaign, that 500 character “thank you” message you wrote at the beginning gets sent to everyone who nominated you, whether or not you win, so that’s a chance for some list building (I directed people to my newsletter) or asking for ARC readers or whatever other marketing effort you want to do. Additionally, other authors have noted that KS sends an email to your nominators if/when you publish that title to Amazon as a Kindle Edition - so you get another free boost in publicity.
In my case, I entered Blind the Eyes because I felt like it was a win-win whether or not the book gets picked up by Kindle Press. On the one hand, KS/KP gives you a trivial amount of cash upfront ($1.5k: yay - pay for production on the next book!) and may give it a bit of a marketing advantage you win and they publish your ebook. On the other hand, they only pick up books that fit their list closely, like with any traditional publisher, so the chances of actually getting caught in that contract (which isn’t bad by traditional standards, but which is still a bit restrictive) are minimal and you’re really more likely not to win.
I built up my campaign materials and did some last minute research over the course of a couple days and submitted the application late in the week (Wed/Thurs). It took about two days to hear back that it was approved, and the launch date was two days after that (so, 4 days from upload to public).
My campaign launched at midnight eastern time on a Sunday (Saturday my time). It turns out that launching on a Sunday is ideal, because no new campaigns are posted on Mondays or Tuesdays, so you get an extra couple days of free visibility before newer campaigns bump you off the front page.
If you go to the Kindle Scout website, the landing page has sliders for the following categories:
So you get front-page visibility if you reach Hot & Trending, when your campaign is about to end, and when you’re brand new (under both Recently Added and your genre). Here’s the catch: only four books are visible in the sliders at any given time. So, even if you’re in one of those categories, you may not have at-a-glance visibility the whole time. They seem to auto-rotate the ones posted on the same date for more visibility.
Kindle Scout did a promotion for NaNoWriMo people in February and gave free editorial advice on submissions, so that blew up the number of campaigns and made it super hard to get seen in the crowd. If you can, try not to be like me and launch at the busiest time! Ideally you want no more than four new campaigns a day for best visibility and lower competition. Right now (March 2018) there seem to be around 300 campaigns running at any given time, and about 20 spots on the Hot & Trending list available.
When you’re an author in the program, you get a campaign stats page that shows three main metrics:
It also shows what other books your nominators have chosen. Mine were all over the map, so people don’t necessarily stick to one genre. What it never tells you is how many people nominate your book vs. view its campaign, or how they rated different aspects of your book incl. cover, tagline, PV, blurb. Which kinda sucks, since the only way you really know if people like your book is if it hits H&T.
I was super lucky to have three days before any new books were posted (because it launched on a Sunday), so I got front page visibility for those three days (and didn’t do any off-site promotions to drive traffic.) I got 272 campaign views the first day, 370 the next day, and 435 the third day (total: 1,077).
My strategy was to take advantage of free visibility for the first few days and do a social media push later in the campaign when things got quieter. Don’t be like me, lol. I was super cocky about my chances because I’d invested a lot in a professional, custom cover and well developed work, and other books in same categories had less polished materials, but the materials I had in my campaign weren’t enough to push me to the Hot & Trending list. It could just be that people didn’t like something about the submission (I regret my one-liner), but if you look at the stories of people who had more success reaching the H&T list, they did an upfront push with social media and paid campaigns to reach it. Once you’re on it, you get more organic views and are more likely to stay on it.
In terms of paid promotions, I did experiment with a few outlets and saw a bit more outside traffic, but not enough to make a difference. I’ll update with complete stats at the end of the campaign, but right now I’m sitting at just under 1.7k views and zero hours on H&T with an ad spend of around USD$50. My rationale: it’s worth a few dollars in marketing to try to get higher visibility, but reaching H&T isn’t a guarantee of a contract, so it’s not worth spending too much on. Kindle Scout doesn’t just publish the most popular books; they’re looking for a book they think they can sell to Kindle Press readers, so there’s absolutely some editorial intervention, but not making the H&T list at all is a sign that it’s not a match for their regular readers.
Romance and Mystery writers have the best shot of getting noticed, and stand alone or first in series books tend to get preference.
After all, nearly 2k people just got exposed to my book on a new platform, which is like free advertising. OTOH, they’re people that have a thing for free books, so idk. It sounds like it’ll still take around four months to publish after the campaign if you win, so it’s slow by indie standards, but lightning fast by trad pub standards, and authors seem to be happy with it. I’ve heard a lot of authors saying they try to publish as soon as possible after they hear back if they’re rejected, to take advantage of whatever momentum the campaign has built. Seems like an ok indie author tool to me :)
If you’re thinking of entering, you might want to sit on the site and watch to see if there’s a slowdown in new campaigns you can take advantage of - I think it’d be a lot easier to get votes if you could hold onto your front page visibility longer!
07 Mar 2018
If you’re subscribed to the newsletter, you already got your sneak peek yesterday. For everyone else, surprise! In addition to a brand-new, professionally-designed cover, I’ve got some other exciting news: Blind the Eyes is competing in Kindle Scout!
So if you want a chance to get a free copy of BTE, head on over to the Kindle Scout website, nominate it and hope it wins!
And hey, why not vote for some other faves while you’re at it? You get up to three nominations at a time.
You have to have a fully edited, finished book to compete in Kindle Scout. If BTE isn’t chosen for a publishing contract, that just means I’ll be able to indie publish it even faster because it’s already complete and ready to go out the door!
Look for the release date announcement by mid-April. It’ll come out by May 30 or earlier. And for those of you who aren’t fans of e-reading, yes, I’ll be putting out a bound paperback either way (and an audiobook as soon as possible afterwards). Plus, since I’ve already hashed out the plot of the next Threads of Dreams trilogy book with my awesome editor Lisa Poisso, you can look forward to the sequel coming in 2019!
Wow, it’s been over half a year and there are still some outstanding queries! There’ve also been several agents requesting the book, so that’s a great sign that it’s a good quality read. The thing is, I’m just not ready to spend another year or more (at least!) working on connecting with traditional publishing, and it’s not the right choice for every book or every author, either.
I’ve done a lot of research on the writing business and what’s best for books, for authors, and for readers. I’m confident that the indie path is right for me and Blind the Eyes. So, sorry for the long-ish wait while I sorted that out!
Isn’t it amazing?! Feel free to share across social media and blogs, but please be sure to credit my incredible cover artist, Regina Wamba, at Mae I Design (http://www.maeidesign.com/) when you do. :)
And don’t forget to nominate Blind the Eyes on Kindle Scout for your chance at the free ebook!
06 Feb 2018
Official announcements plus some updates for the new year! Where things are at:
I just pulled all the preview editions from ebookstores. The three chapter special preview edition of Blind the Eyes has done really well on Amazon and the other usual suspects, but it’s also been up for half a year longer than I expected, since I pivoted from indie publishing to querying. It’s a little hard to continuously build momentum while also pushing the release date further and further into the future, so for the moment I’m pressing pause on all book marketing initiatives. However, I’ll still be present and active on social media, and the onsite and newsletter-exclusive extended downloadables will remain available!
& on that note, yes, Blind the Eyes is still under query until at least March 2018. There’s been some good feedback and several agents have asked for additional materials to review. I’ll review opportunities in March and update you all accordingly! I’ve been eyeing the Kindle Scout program, so if I do go indie, that’ll be my first stop (after the cover reveal! You guys, it’s SO GOOD and I’ve been waiting over half a year to show you!)
but the other reason I’m turtling into my introvert shell for the rest of winter, besides, y’know, just straight up waiting for tradpublishing to get a move on, is because I just finished developmental consultation on book 2 with my awesome editor last week! Friends, it’s gonna be good! Blind the Eyes is just the tip of the iceburg, and things get crazy FAST in book 2 . . . at least, that’s the plan. I start writing this month.
Speaking of book 2, it doesn’t have a name yet because I finally clued in that you can’t just “borrow” song lyrics for titles. Oops! Which means the trilogy needs a new name. I was thinking “Threads of Dreams” would be a good one. What d’you all think?
Other stories are still on hiatus too, but hey, I managed to word-vomit one short story. No you can’t read it (yet). I took a shot at writing a topical contemporary piece, and instead it turned into a weird, profane, and decidedly paranormal take on the Fentanyl crisis in Vancouver. So . . . yeah, I’m thinking I should take some time cleaning that up before sharing. But yay accomplishments - anytime I finish something with a beginning, middle, and end, it’s a good thing!
Freelance writing and consulting work is picking up for the new year, which is another reason to pull back. Find me at Business Writing Solutions for website, technical, and copywriting, among other stuff.
Still in the Pacific Northwest - I totally had a trip back to the UK planned, and then realized I’d double booked over my nephew’s first birthday! But hey, I’m more likely to get that book in your hands sooner if I’m not digital-nomadding my way around the world anyways, right?
Thanks for sticking around for this (looong) journey! If you haven’t already, sign up for the newsletter for freebies, previews, and news when books are available, or follow me on social media, Goodreads, or BookLikes for reviews of recent and upcoming YA fantasy. Links on your left.
20 Dec 2017
Microupdate plus #booktree end of year shout outs to everyone who sent me books this year!
Where things are at:
Blind the Eyes (G&S book 1) is still under query, so the tentative indie release date has been bumped to March 2018. There’s been some good feedback and it may still get picked up by tradpub, thus the long runway. :)
G&S2 plot is mapped out and undergoes developmental consultation on Jan. 10, so hopefully I’ll be at least mid-draft by the time book 1 comes out! Currently expecting G&S will be a trilogy.
Serial fiction Things Got Out of Hand is finally getting a proper plot map! I haven’t decided whether to continue its draft zero as a serial or take it down yet, so keep an eye on Wattpad in the new year just in case :)
Tiptoeing into some short story writing, since the serials are necessarily on hold for a while yet. The zero drafts need some polishing, but expect some short reads in the new year in a wider variety of genres (I tried for contemporary, but so far I can’t help sneaking in some fantasy or supernatural elements into every story)
Been rounding out my freelance portfolio and recently launched Business Writing Solutions in beta on the boring grown-up side of my life. The part of me that isn’t compelled to write about monsters and magic tends to geek out over template automation and well-crafted copy, lol.
Still in the Pacific Northwest for the foreseeable future. Travel’s on the radar, but there’re just too many bullet points to tick off to make #digitalnomad-ing practical right now!
As promised in the social media posts that you probably followed to get here, here’s the full list of books with review and shopping links.
04 Dec 2017
This edition of book recommendations first appeared in Newsletter October 2017 (creepy reads) edition.
The Replacement by Brenna Yovanoff:For those who prefer their fae bloodthirsty and horrific instead of sparkly and romantic. This was a rare 5 star read for me. Excellent character development, worldbuilding, and storytelling.
Anna Dressed in Blood by Kendare Blake: Ghost hunter. Ghost girl bent on bloody revenge. Who wouldn’t fall in love with a girl ready to rip your heart out? Think Supernatural with teens.
Also check out another skilled WA-based author, Lili St. Crow’s Strange Angels for a super dark gender-swapped take on monster hunting.
The Summoning by Kelley Armstrong: Classic teens-with-powers, but one happens to be a necromancer. The only thing worse than being trapped in a spider-infested, lightless underground crawlspace is knowing something’s clawing its way up from below.
The Near Witch by Victoria Schwab: Seems like this is the least-hyped of Schwab’s work, but IMHO definitely the creepiest. Seriously. Classic fantasy with a terrifyingly tangible setting and evil at every turn out to get you.
Also check out The Archived for even more ghost hunting.
The Diviners by Libba Bray: Left this one for last because it seriously pushes the limits of my horror tolerance - like, don’t-read-at-home-alone level scary.
The Roaring 20s historical fiction setting and over-the-top characters are lots of fun, but the monsters are… yikes. Make sure you have a buddy to check under the bed for you.
27 Nov 2017
This edition of book recommendations first appeared in Newsletter August 2017 edition.
Best of Summer
A MONSTROUS REGIMENT OF WOMEN by Laurie R. King: I can’t believe I’m giving top billing to a non-YA, non-fantasy read, but this book honestly takes top prize for my summer reads. All of King’s books seem to be excellent quality, and I’m still working my way through the Mary Russell/Sherlock Holmes series, but if you can only read one King book, make it this one. Adult historical fiction/mystery with a feminist twist.
GIVE UP THE GHOST & The Way We Fall by Megan Crewe: Canadian Indie author bonus points! Crewe writes disarmingly authentic teens with complex and conflicted motivations, awkward, slow-moving romances and a touch of the creepy. The Way We Fall is first in a trilogy of excellent and very Hollywood-esque plague’pocalypse thrillers. Give Up the Ghost is contemporary-paranormal, and it’s FREE to Crewe’s newsletter subscribers.
Missing by Kelley Armstrong: The best thrillers aren’t just action-action-action. This tense, surprising read has a lot of heart. The slow-burn romance and challenging, complex characters were incredibly compelling. Armstrong also has a gift for making remote locations sound appealing. Love all her YA books. Add to your list for Halloween spine-tingling horror-lite (no paranormal, just human creepiness!)
Lockdown by Laurie R. King: I really don’t tend to recommend novels about school shootings . . . or contemporary novels, period, but this is a must-read. The level of craft alone - King writes in a dozen distinct voices, each with character development arcs and backstories - mind-blowing literary skill. But what makes this story readable is that it brings a distinct sense of hope to the otherwise traumatic subject matter.
20 Nov 2017
This edition of book recommendations first appeared in Newsletter June 2017 edition
Best of the Best:
Strange the Dreamer by Laini Taylor: you need to read this. Seriously. Beautiful writing. Gorgeous language. Classic, epic storytelling. The richest worldbuilding you can imagine.
Three Dark Crowns by Kendare Blake best YA dark fantasy all year. Three competing protagonists with their own cast and setting. Plus, Kendare’s one of my fave writers who inspired the style and content of Blind the Eyes. PNW writers unite!
A Court of Thorns and Roses by Sarah J. Maas: and the sequel is even better, an incredible accomplishment when most second books are the weakest of a trilogy. Mature content warning.
Canadian reads to check out:
Exit, Pursued by a Bear by E.K. Johnston: a strangely uplifting tale of teen rape. Non-explicit trigger warning for trauma, but an incredibly hopeful and instructive read of how to help in the aftermath, and how stepping in changes everything.
Missing by Kelley Armstrong: best YA thriller I’ve read in ages (well, since the last one she wrote, probably, lol.) Just the right balance of compelling romance between complex, relatable and flawed people in a high-stakes fast-paced setting.
13 Nov 2017
So, I read a ton. Like, well over 150 books a year. And now that I’ve discovered Goodreads, I also rate and review most of those books, and then feature them with dubious quality photography on Instagram.
What I haven’t done is launched a book blog/reviews section here, because let’s be real; how often do I get around to updating? And how many of you hang out here on a regular basis? So.
However, just last month I discovered Booklikes, which not only shares reviews on-platform and pushes reviews to Goodreads, it collects them in a custom blog. Update one place with automatic syndication to all useful platforms? Yes please!
All that to say: Check out my book blog for (mostly) YA Fantasy recommendations!
I also do bimonthly book recommendations and “best-of” lists in my newsletter, and those I will to take the time to host on this site (eventually), so look forward to it!
04 Nov 2017
So there’s good news and there’s bad news.
The good news is, all that querying attracted some attention after all, literary agents do like Blind the Eyes, and the full manuscript has been requested. It’s not a publishing deal (yet, lol), but it’s actually pretty rare to get that far and it took less than 50 queries (many books take over 100 to even get that sort of response), so it’s definitely cause for celebration!
…The bad news is, now I can’t publish BTE in November like I was hinting at, which is super sad because my proofreader did an amazing job AND turned the project around in half the time I’d had scheduled, so it should have been right on target for a pre-holidays release.
Back to good news: this means I can (ahem, should) get the sequel(s) plotted out and written for fast, consecutive releases when BTE does come out. But, yet again, sorry to make you all wait longer and thanks for your patience!
While I’m at it, huge shout out to my awesome team:
I highly recommend these guys if any of you are looking to form a publishing team of your own!
So what comes next? Well, there’s a lot of waiting. The waiting period for the querying stage wouldn’t have closed until this December (yeah, I was jumping the gun with a November release no matter how you sliced it) and, for a full mansucript request, you normally add at least six months. If an agent offers representation, that’s another week or so to alert any outstanding queried agents that they need to throw their hats in the ring, then paperwork to hire the agent, then they go to work selling the manuscript to editors. So, more waiting. Years of waiting. And at any point in that, potentially more edits and rewrites.
But, as I’ve said all along, traditional publishing isn’t right for every book and every author, so while it’s very exciting to see a positive response from the establishment, given the current market and opportunities, BTE may do better as an indie book, and as new information comes to light, I’ll be making a judgment call on whether to release it sooner. Again, all the pieces are in place except for final layout design, and I’ll probably book that and get it ready in the coming month or so too, so an independent release could happen fast.
For those of you book bloggers/reviewers who’ve gotten in touch, and those who are thinking about it, feel free to keep signing up, just know the timeline’s been pushed out to next year. I’m keeping a database of everyone who’s shown interest for when the ARCs are ready to go.
Until next time, K.
21 Sep 2017
I should get the next newsletter out in a couple weeks, but since I’m past due for an update, thought I’d pop in and share the progress!
BLIND THE EYES is out for query with a number of literary agents. For the uninitiated, to get a book published in the traditional manner, you send a sort of formal application letter to literary agents, who ask for more information on your book (or decline). If they love the story and think they can sell it to a publisher, they offer to represent you. Then they contact editors and try to sell the manuscript. Then a publishing house responds with an offer (and if you’re really lucky, you get a few of these to choose from). Then you get assigned an editor and work with that publisher and editor to adapt the book, which can mean more editing, rewrites, proofreading, cover designs etc. Then the book comes out in stores, 1-3 years later. And at every step of the process, it’s super competitive and subject to both market demand and the relevant professionals falling in love with your work.
I’ve had some really encouraging responses from agents, but nothing to tempt me away from indie publishing so far. That said, the publishing world moves super slowly, so I’ve only heard back from a quarter of the queries I’ve sent out so far.
So here’s the plan: there’s only a couple steps left to produce BLIND THE EYES as an independent publisher. It still needs a final proofread, final back cover copy and interior layout/design. I’m getting in touch with a proofreader this week to line that up for late October - it’s a minor cost and worth risking to set up. My cover artist can do interior design, but I still need to talk to her about a schedule. If she’s available, I think everything could be done for as early as the middle of November. So… no promises guys, but I’m thinking a holiday release could be a great idea!
Keep an eye out for preorders, and I’ve already had some enquiries from book bloggers and ARC reviewers, so feel free to get in touch at any time if you’d like to be added to that list. We’re nearly there!
In other news, I’m looking at local jobs, overseas jobs and more long-term remote/freelance work, so another round of travel may or may not be in my future. More news on that soon!
27 Aug 2017
…I know I’ve been babbling about it all over the place lately and I’ve only just finished switching over graphics and web presence to the new subgenre, but I’m seriously considering changing everything back to the previous (non) subgenre for BLIND THE EYES of “dystopian dark fantasy”. Which isn’t an official thing, and I know you’re not supposed to genre-blend, but… it just kind of is. The setting’s pretty dystopian. And it’s definitely future and sort of post-apocalyptic. And dark. And there’s fantasy and supernatural stuff going on. It’s also not a bad fit for urban fantasy, other than the future setting. So I dunno. Waffle waffle waffle. Angst angst angst. lol.
On thing in its favour, the freebie preview ebooks on Amazon got quite a bit stronger downloads when listed as dystopian. So I figure for querying, it should read urban fantasy, and if I end up going indie, dystopian dark fantasy.
But don’t hold me to that, because apparently continuously changing my mind and making work for myself is what I do…
26 Aug 2017
While I love research in a general sense, I more or less refuse to do it while drafting a book. I’m too addicted to that archaeological sense of uncovering another world to allow this one to consciously intrude. However, at some point I generally do have to pull out the books (hi Google) and go hunting for real world equivalencies, or at least reference points.
Enter the Mara. The story that has become BLIND THE EYES emerged out of an image or a scene wherein a girl is saved from monster attack by a hero. And diverged dramatically from there - the Wattpad story-in-progress THINGS GOT OUT OF HAND is closer to the original intent. All that to say, my sense of what the monsters in question were was vague to say the least.
But successive drafts did serve to nudge things along. Fairly early on, I knew the monsters were a waking nightmare, a concrete manifestation of a victim’s fears, though I intended this literally as depicted in TGOOH. Later, with the addition of THE FIRST DREAM (BTE Chapter 8), the nightmare-monsters were found inhabiting a separate plane of consciousness, killing victims in a sort of dreamscape, with only gradual crossover into the waking world.
Around the same time, I realized the monsters, the dream-eaters, had their source in the paranormal world of ghosts or malevolent spirits. Obsessed with mist, fog and boundaries, I envisioned them as hungry spirits of the dead, trapped within a closed city and cannibalizing the living inhabitants. Amorphously inhabiting and twisting victims’ desires or longings to attack, they manifest in the real world with considerably less clarity, little more than a sickly yellow mist.
But dancing around their identity, both named and visual, was adding confusion to an already vague and dreamy draft, and I hated every time I had to write “dream-death” or “nightmare”, feeling it too clunky.
More drafts, more careful excavating of a story world that I could envision but wasn’t making plain enough for readers. My monsters were hemmed in by a literal boundary, a city cut off by environmental as well as spiritual damage. The ocean had risen, flooding the edges of the city, and opening up identities for the monsters in the pantheon of water-monsters that I was most familiar with from Celtic legend. Time to pull out the books.
I started with a survey of aquatic monsters, with a quick turn through dream-eating and nightmare beasts, scanning through familiar Celtic sources as well as Japanese monsters and a brief, not particularly successful survey of Canadian and American First Nations spirits, legends and monsters, and came up with surprising results.
As it turns out, there wasn’t a single likely culprit that blended aquatic and dream attributes, but a Japanese dream-eating monster called the baku came awfully close to meeting my dream-eater needs. It seems to function in a mostly positive way, eating nightmares, but it has a darker side where it can go too far and eat the hopes and desires of a dreamer as well, leaving them hollowed out and empty…
…which as I write this, brings up some interesting implications for a historical angle on the story world’s current troubles. I chose to integrate the aquatic or marine element of BTE’s dream-eating monsters by calling them the Mara. In various Celtic/European languages, this ties in nicely to night’mares’ or nightmara, with, at least in my mind, some shadings of Kelpie and other water horses as well, but functions more like the Japanese Baku.
And there you have it, the not-so-well-researched anatomy of a monster, in which my imaginary demons turned out to have surprisingly connected real-world counterparts, confirming once again that human imagination has its limits. I think I’ll do a feature on the world monsters and their traits in my next newsletter (October) - keep an eye out for it!
20 Aug 2017
The August newsletter is out! Musings on the finer points of genre, book reviews (still debating whether to add that as a website feature - thoughts?) and a fresh downloadable for this round.
If you haven’t already, sign up for access to the freebie content, which is currently an extended preview ebook or audiobook of the first five chapters of BLIND THE EYES and an ebook-format downloadable preview of THE FIRST DREAM (currently chapter 8 of the manuscript), which is the first instance of supernatural goings-on in the draft and also the bit where I realized I was writing horror and not just fantasy, lol. I do newsletters roughly every two months with updates, insider content and book reviews. I promise not to spam your inbox endlessly!
In other news, I’ve been dreadfully sick for the last week and therefore have gotten a bit behind again, but I’m planning to pick up with the final nitpicky little changes next week and start the querying process. There’ll probably be an update to the preview freebies following this round, as the first chapters continue to tighten up bit by bit; keep an eye out for it! Also, enjoy the Instagram feed I finally figured out how to embed! Turned out to be way less complicated that posting journal entries with individual IG shots, and innit pretty? ;D
05 Aug 2017
Last query round for now. For the super publishing geeks in the audience, here’s the final Query I went with for Pitch Wars! If any of the mentors send back notes, I’ll be sure to post them for reference!
I’m pleased to introduce my YA novel, BLIND THE EYES, in which a not-quite alive girl and her not-quite dead ghost discover that authorities lie, allies have their own agendas and all monsters wear masks.
In a world where hope kills and dreams are deadly, obedience is the only way to survive. But when one girl learns her society’s absolute control and guarantee of safety are both illusions, she must figure out who to trust to bring down the state and stop the dying before the nightmares eat her alive.
BLIND THE EYES is a stand-alone YA urban fantasy novel for ages 14 and up, complete at 100,000 words, with series potential. A dark and dangerous journey of discovery fraught with monsters both traditional and of the human persuasion, BLIND THE EYES evokes STRANGE THE DREAMER and THIS SAVAGE SONG with the flawed, challenging voices of PLACES NO ONE KNOWS.
Thanks for your consideration.
K.A. Wiggins [+contact deets!]
04 Aug 2017
I may have used up all my luck before the submission window launched, but I was fortunate enough to win a query and first chapter critique from the awesome Lindsey Frydman. I’ve included the query with her markup/revisions for the writing/publishing geeks out there plus anyone thinking of subbing to Lindsey who really wants to do their research!
Lindsey’s comments are marked ( LF ).
In a world where hope kills and dreams are deadly, obedience is the only way to survive. (LF: A query really should start with the character, so I’d put her name in the sentence. “obedience is the only way for Cole to survive. When she learns her…” ) But when one girl learns her society’s absolute control and guarantee of safety are both illusions, she must figure out who to trust to bring down the state and stop the dying before the nightmares eat her alive. (LF: I think this should actually go at the end…after reading the whole query a couple times, I think it definitely belongs down there. )
All desires and distractions are forbidden in authoritarian tower-state Refuge. That doesn’t stop 17-year-old failed trainee (LF: Trainee for what? I think you should add that in here. Round it all out. ) Cole from longing to be accepted as a full worker. But, secretly obsessed with the dead and haunted by the ghost of a child, Cole’s one step away from being abandoned to the Mara, nightmares that devour souls. (LF: This should come after your very first sentence – in my opinion. Tell us about her, who she is, what she wants. 😊 I do love the creepy feel to this story! )
A surprise assignment offers Cole a shot at promotion, but when she succumbs to temptation and reaches out to a corpse, she learns her world is a lie and obedience to the state is no guarantee of survival. Shocked and angry at Refuge’s (LF: I don’t know who this is. It sort of pops up out of nowhere, so maybe a short explanation of them here? ) betrayal and the futility of trying to live up to its rules, Cole vows to expose its lies and sets off to find the allies she needs to take revenge and end the suffering.
BLIND THE EYES is a YA Urban Fantasy complete at 113,000 words. STRANGE THE DREAMER meets THIS SAVAGE SONG with the flawed, challenging voices of PLACES NO ONE KNOWS. It is one girl’s journey through a world of dreams and ghosts, monsters and magic as she learns to own her choices and transform weaknesses into power. BLIND THE EYES is a standalone with series potential.
I’ve been a crusader against the evils of corporate entropy, a mercenary word-weaver and a guardian of empty spaces. I convinced my classmates there were witches in the back wood of our elementary and my sister that faeries lived in the snow melt (‘cause they do…) and dreamed of growing up to be Martin of Redwall (because small animals with swords and battlecries), Frodo of the Shire (because heroes can be small and still do great things), a Fantasy or Manga Editor (because languages are magic), and a rock star (done). Still waiting for a wardrobe to open, but in the meantime I create my own magical worlds at http://kaie.space (LF: As awesome as I think all this information is, I think you should cut it from your query. It’s just not relevant enough. And you really don’t need a bio if you have no credentials. Not unless an agent specifically states it on his/her submission rules. )
(LF insertion: Thank you for your time and consideration.)
29 Jul 2017
I’m switching formats a bit to end the Journal segment and hopefully bring in Instagram and Goodreads feeds. When I started the journal, it was a great solution. It helped me frame my writing time, keep consistent records, continuously update with new content and hopefully provide value for writers and publishing geeks by chronicling in exhaustive detail the long slog of writing. Turns out I suck at updating the website and there’s more actual news these days, plus spending more time on Twitter lately has reminded me that transparency, while an important and meaningful value, is not good policy in today’s climate. So instead I’m planning to feature more pretty books. Journal archives are here for now.
23 Jul 2017
So this is apparently a tradition within Pitch Wars, an awesome online contest to connect with publishing industry peeps and get a manuscript query-ready.
I’ve been resisting making one of these because, really, who likes talking about themselves? But then I had to write an author paragraph for my query anyways, and… Here goes:
I’ve been a crusader against the evils of corporate entropy, a mercenary word-weaver and a guardian of empty spaces. I convinced my classmates there were witches in the back wood of our elementary and my sister that faeries lived in the snow melt (‘cause they do…) and dreamed of growing up to be Martin of Redwall (because small animals with swords and battlecries), Frodo of the Shire (because heroes can be small and still do great things), a Fantasy or Manga Editor (because languages are magic), and a rock star (done).
Still waiting for a wardrobe to open, but in the meantime I create my own magical worlds as (mostly) YA fiction and journal about it here.
Laini Taylor’s STRANGE THE DREAMER. Seriously, there’s nothing closer to a perfect book.
Unless it’s Brianna Yovanoff’s equally amazing but totally different PLACES NO ONE KNOWS. Her MC is me, basically. SO, so jealous I didn’t write it first.
& Kendare Blake’s work is amazing, particularly the masterpiece that is THREE DARK CROWNS…
…and I could go on like this all day, but to summarize, I wish I wrote thrillers as tight and creepy as Kelley Armstrong, dark fantasy as twisty as Holly Black and Melissa Marr, and worlds as big as Cassandra Clare and Scott Westerfeld. But instead I write like me, which means a lot of stuff about edges and boundaries and borders and about being not quite one thing or the other.
I write Pacific Northwest stories. And Canadian stories. And magical crossover stories, because where I’m from, most people aren’t that clear about where they’ve come from or where they’re going. And sometimes moving forward is less about understanding it all, and more about just accepting it.
So BLIND THE EYES is a Canadian story, and a Pacific Northwestern story, and a Vancouver story, and a blended-people-with-missing-identities story and a dark, broken future Urban Fantasy story that doesn’t know it’s any of these things (yet.)
And at the heart of it is Cole, who still hasn’t really learned who she is or what she needs to do, but is scared to death of getting it all wrong. She’s part of a generation who have been taught not to want, instead of being taught how to understand what they want. She’s not a great hero, or even a strong female protagonist, because she’s more about avoiding difficult things and hiding from herself and everything around her than she is about confronting injustice and defeating evil. But she’s not alone, and she’s not as helpless as she thinks she is, and she’s about to find out that her fears and flaws and failure don’t define her, they fuel her.
BLIND THE EYES has been about three years in the making, and for at least two of those I planned to release it as an indie publication, so it’s been through three rounds of editing and painful, painful rewrites to date. It’s not the first book I’ve written, but it is the first I’ve written properly and produced completely.
Other stuff I do/love:
music. Specifically playing music in bands, ‘cause why just listen when you can do?
making craft gin. And, of course, drinking said gin. BTW, best group activity ever (premake half so you have something to drink, then let everyone make their own mix!)
Scotch. Drinking, not making. That’s not a DIY sort of activity. But mmm. This was totally my MS fuel of choice. My one regret in Scotland was that I didn’t live near any distilleries. Oh, and Islay fantatic, all the way. Talisker’s ok too.
thrift shopping, vintage fashion & hats. Not necessarily all together. Actually, I hate shopping, but I love that you can get cheap clothes and put together unique, functional outfits while protecting the environment and contributing toward something good. Plus I love history, museums and other times/places so it’s fun to use styles to access a fantasy of another place or era, like taking that feeling of being in a story world out into the real world with you. And hats are mostly about me and the sun not getting along, and partly about me and my hair not getting along, and mostly just a convenience thing TBH.
and on that note, I adore historic sites. And museums. Although I get annoyed when the crowds are too big because a) hyper introvert and b) I just want to soak in the atmosphere and pretend to be from whenever and wherever the site originated. I love aquariums for sort of the same reason. Zero desire to go in or on the water, but I love pretending to be underwater without getting wet. And also marine mammals are adorable. I want to write a YA were-seal fantasy. Well, actually I want to write an X-Men meets fairytale creatures fantasy with a selkie trying to survive high school, lol. But were-seal sounds cooler. ;D I mean, imagine being a 15-year-old girl whose super power involves being furry and large and awkward on land. You’d feel like the world’s biggest klutz, and everyone else would think you were adorable. Oh the drama.
hyper-emotive, over-the-top media like teen shows (Shadowhunters, Supernatural, Vampire Diaries), kid movies and anime/manga are so up my alley. I’m all about the escapism, but bonus points if it’s dark, or works in incisive social commentary without feeling depressing or breaking the story world. But, like, happy stuff’s ok too. Howl’s Moving Castle is the ultimate animated film of all time and I will brook no debate on this subject. Tarzan & Mulan do ok too ;D OK, tbh any Disney or Miyazaki show makes the cut, lol. I’m equally on board with demon hunting and shiny princesses on a mission. Speaking of which, I really want to do a Tarzan inspired Celtic princess crossover world-hopping quest fantasy. But like, with jungle cats instead of gorillas.
Buffy the Vampire Slayer gets its own bullet point b/c although it’s an over-the-top teen show, it’s also my go-to brain candy. I seriously run this in the background any time I get the chance. Buffy’s got me through hours of chores, programming and some of my more tedious freelancing. Firefly’s pretty great too.
21 Jul 2017
Geek writing/publishing craft time: basically my first day after deciding to join this year’s Pitchwars, I won a (luck-of-the-draw) query critique from the amazing Alicia Clancy! Alicia’s an Assistant Editor at St. Martin’s Press, Pitchwars mentor for the YA group and happens to be on my on my shortlist of mentors to sub to, so score! But then I had to scramble to actually write a query and synopsis lol. I’ll post Alicia’s version first, a few notes on how it works better, and then my original last for reference if anyone wants to get that geeky with it!
In a world where hope kills and dreams are deadly, obedience is the only way to survive. But seventeen-year-old Cole isn’t like the rest of her authoritarian state Refuge’s citizens—no matter how hard she tries, she simply cannot follow the rules. being haunted by a ghost named Cadence certainly doesn’t help her situation.
When Cole once again fails her probation, Refuge abandons her to the Mara—nightmares that devour the disobedient. But with Cadence on her side, Cole flees her oppressive state, and falls into the hands of a Freedom rebel group. Ravel, the group’s charismatic leader, brings Cole into their underground world and their mission to topple Refuge’s control.
But Cole finds herself distracted by visions—visions of a silver-shrouded boy taking on the Mara. A boy that Cadence seems to know. And when people started dying in more than just her visions, Cole must risk her hard-won status, her home, and maybe even her life to expose the truth—that her society’s absolute control and guarantee of safety are both illusions—and that it’s up to them to defeat the Mara.
Combining the flawed, challenging voice of PLACES NO ONE KNOWS with the supernatural chills of ANNA DRESSED IN BLOOD and the dark fantasy dystopia of THIS SAVAGE SONG, my debut novel BLIND THE EYES is ultimately a story about a girl who’s terrified of never being good enough and the lengths she will go to overcome that fear.
(Add in a 1-3 sentence author bio here)
So. For one thing, I obviously forgot to put in wordcount (shame) and skipped the bio paragraph entirely.
I’ve actually been using that first line forever, but one of the Pitchwars mentors made a point of saying how you should lead with the main character, so I pushed it to the extended syopsis. Love that Alicia brought it back to the forefront!
Another thing she does is really bring a more colloquial (younger) voice to it. I was really focused on trying to write tight and brief, to the exclusion of voice, so while the tone feels a bit off to me (because now it’s someone else’s voice, lol), it definitely gives me a push to make sure not to strip out all the tone from my queries.
And finally, Alicia really tweaked the focus on action and motivation. It got a little too far from the actual plot (which she’s never read, so of course,) but gives me a good push to both be clearer on what’s actually happening in the story and forefront motivation and stakes in my final query letter. Stay tuned for future updates, since I’m working with my editor on queries right now (see ‘hooks’ post) and will post further revisions/finals!
& Here’s my rough first version for the super geeks in the room!
Thanks so much for taking the time to look at this - I was so surprised to win the query critique after last night’s live video! It’s the first time I’ve really worked on query materials, so thanks for the motivation to get it together and start polishing.
Seventeen-year-old Cole hides a dangerous obsession with death from the repressive, authoritarian tower-state Refuge and Cadence, the ghost who haunts her. Cole has failed to obey in the past; if she can’t pass probation this time, Refuge will abandon her to be devoured by the nightmarish Mara.When Cole flunks her trial, she discovers Refuge has been lying all along. Obedience to the state never guaranteed safety from the Mara.
Fleeing, she finds an ally in the charismatic leader of the underground club and rebel enclave, Freedom. Ravel offers the power to expose Refuge’s lies - along with a hedonistic new way of life. But as Cole struggles to fit in and earn Ravel’s help, she finds herself drawn into visions of death - and to the silver-shrouded boy in them who fights back against the Mara, a boy Cadence claims to remember from her former life. In the waking world, Ravel is more focused on transforming Cole into his ideal consort than toppling Refuge’s control - and people are dying in more than just Cole’s visions.
BLIND THE EYES combines the flawed and challenging voices of PLACES NO ONE KNOWS with the supernatural chills of ANNA DRESSED IN BLOOD and the dark fantasy dystopia of THIS SAVAGE SONG in a debut novel about a girl who’s terrified of never being good enough.
In a world where hope kills and dreams are deadly, obedience is the only way to survive. But when one girl learns her society’s absolute control and guarantee of safety are both illusions, she risks her hard-won status, her home and her life to rebel and expose its lies.
Probationary surveillance technician Cole is determined to cast off her reputation as a failure and pass probation in the ascetic, totalitarian tower-state Refuge. If she fails, she’ll be abandoned to the Mara, the nightmares that devour disobedient workers. But to be accepted, she’ll have to suppress her forbidden obsession with the dead, hiding it even from the ghost who haunts her, Cadence.
Cole’s fascination with death torpedoes her probationary trial when she touches a corpse and witnesses a vision of its final moments. Trying to hide her failure, she discovers Refuge has been lying; its endless regulations can’t protect anyone from the deadly Mara. Cole flees Refuge enforcers and follows the ghost Cadence to allies who will help her expose Refuge’s lies, recognizing that no one will ever listen to or follow a failure like Cole. But Cadence lied; there are no allies, and Cole is nearly taken by the Mara instead.
Cole turns to Ravel, leader of an underground club and rebel movement. He teaches her to reject Refuge’s programming. She struggles to earn acceptance in his alien society while suffering visions of Mara attacks. She’s drawn to the silver boy who fights back in the visions, Ash. Cadence claims to know him. When Cole tells Ravel of the visions, and the ghost who haunts her, Ravel blames them on Cadence. But Cole discovers Ravel’s rebellion is restricted to preaching radical self-indulgence. He has no plan to expose Refuge’s lies and abuse. Worse, the illusion of safety Ravel provides is based on a tithe of human sacrifice to the Mara.
Then the Mara attack in the waking world and Cole discovers Cadence isn’t the one lying; Ravel is. The visions are real. Cole finally chooses to stop looking for a leader to follow and fight on her own. She infiltrates Refuge to help Ash. Interrupted mid-mission by another Mara attack, Cole fights back with powers like Ash’s, powers Cadence claims Cole has been absorbing from her. Cole’s secret obsession with the dead has been a side effect of Cadence’s haunting and Cole’s growing powers. Captured by Refuge after the fight and high on her recent success, Cole tricks an enforcer, sneaks off and contacts Ash. She selfishly demands Ash join her mission instead of heading to his location. But the enforcer was watching all along, and shoots Ash on arrival. Ravel kidnaps Cole and drugs her to keep her docile. Cole realizes her priority has never really been on saving people, but rather taking revenge on the system that made her feel like a failure. Cole overcomes the drugs and her guilt-ridden despondency when she discovers Ash survived and sets off to rescue him from torture and execution.
When Ash’s escape is threatened, Cole sacrifices her own safety and hopes for acceptance to turn back and distract the pursuing enforcer. She uses her newfound powers to catch the enforcer in a Mara attack. But the enforcer is possessed by the Mara and Cole loses control of the fight. Then Cadence reveals a truth she’s only just realized herself; the ghost Cadence is what remains of Cole’s own memories and identity before Refuge captured her and wiped them. Cadence helps Cole recognizes her past failures and flaws as strengths that keep the Mara from twisting her hopes and dreams and devouring her. Teaming up with this part of herself she never knew she’d lost and owning her desires and wants, Cole defeats the Mara.
Cole is reunited with Ash, who helps her accept her fragmented self. He affirms her broken and flawed identity as Cole seeks healing and her lost memories while struggling with the implications of Cadence’s separate existence. Ash commits to partnering with Cole and breaking Refuge and Ravel’s abuses to free the people and save them from the Mara. Their journey isn’t over, but Cole has overcome her programming and learned to choose her own path and fight back. Series potential; could be tweaked to show an ultimate defeat of the Mara and destabilization of Ravel’s rule and Refuge’s supremacy for standalone publishing.
19 Jul 2017
Oh man, news, news, and more news you guys! I was trying to save it all up to release by newsletter first ‘cause I need motivation to keep up with that, but the thing with news is that you’re too busy doing newsworthy things to have time to shout about it! …and THAT doesn’t sound arrogant at all, lol. But moving on…
So I got final edits back from the amazing Lisa Poisso, which turned out to be a gracious and generous blend of Substantive and Line Edits ‘cause I couldn’t make up my mind about what I was asking for. Still some tuning up to do, but overall the manuscript is in amazing shape and I’m already working on the early stages of query materials with her… and then this happened.
Pitchwars. It’s a (mostly) Twitter contest to polish and submit your manuscript. In the first round you submit to industry insiders like published authors, editorial assistants etc. If one picks you, you have two months to work with them on refining your book and query materials, and then there’s the agent round. If magic happens, you get an agent! At the very least, it’s a great way to make connections and learn a ton - which I have. For instance: apparently BLIND THE EYES is Urban Fantasy, not paranormal or horror or dystopian or dark fantasy or all the various other things I’ve stumbled around thinking it was. Who knew?
Anyways, while it’s slowing down my final revisions (though, lol, we all knew they were going to take me longer than I expected because OF COURSE), I’m super excited to be participating in Pitchwars this year and getting BtE in even better shape for publication in whatever form that looks like! So, no newsletter this month, but I’m being hyperactive on Twitter & IG, so go ahead and follow me there instead. :)
28 Jun 2017
So I’ve been thinking about doing a prequel novella or short story to Blind the Eyes for the next round of newsletter bonuses. Which of these sound like something you’d like to read? Vote and comment on FB.
Teen sisters sneak off from the Tower to the underground club Freedom in its early days and things go sideways. One runs away after a relationship turns dangerous; the other starts up a secret counter-rebellion and stays in Freedom as a spy to save future innocents and atone for ruining her sister’s life. YA urban contemporary w/ dystopian, supernatural & romance. ~10 years prev. to BtE book 1. Cast includes: Ange, Morristu, Ravel & Cass, possibly cameos by Serovate, Haynfyv & Sam.
The future Mayor of the Tower was once an ambitious young professional climbing the ranks of corporate power with a jr. exec. husband, showcase baby and a secret mission. But when the rising fog threatens the safety of her family and she refuses to leave, she loses her child, her husband, and her chance at success. When she cuts a deal with the evil intelligence within the fog, she becomes a double agent, working on the side of evil for a shot at the power to keep it from swallowing everything. -New Adult urban thriller, tragedy. Antagonist/villain backstory. ~120+ years prior to BtE book 1. Cast incl. Maria Ashera, possibly cameos by Serovate, Ravel.
Cadence & Ash as kids up north; dreamwalker training, learning to fight, faction politics between their respective camps (displaced First Nations & Roma Traveller). Or Cadence’s family’s failed mission to the city & her capture. Or Ash’s (off the page) journey during Blind the Eyes up to the point where he makes it to the Tower. This one would give a lot of world-building context and background, but is light on encapsulated storytelling/plot. Kids or YA fantasy/contemporary, possibly thriller/tragedy. 10 years prev., 5 yrs prev. or 4 weeks prev. to BtE book 1. Cast incl. Cadence, Ash (protagonists, Ash formerly Itri/Silver), possibly Sam & Lily.
A young prince of the Tower as a preteen, coming to terms with his background and launching the rebel and counter-culture movement via the underground club Freedom. His rebellion against the Tower leader (/mom) & the deal he cuts with the enemy in unconscious imitation of his mother, gaining power at a terrible cost. YA dark fantasy, urban fantasy. 5+ years prev. to BtE book 1. Cast incl. Ravel, Maria, cameos by Serovate, maybe Ange, Morristu, Haynfyv, Cass.
Tower Investigator Haynfyv geeking out and making a name for himself by being a bizarro luddite and digging into historic practices instead of using Tower surveillance for everything. Mostly just a chance to hang out with the weirdest side character. Mystery. 5-10 years prev. to BtE book 1. Cast incl. Haynfyv, Serovate, Maria, Ravel, cameos by Ange, Cass, Morristu.
A Street survivor saving a refugee from the Tower & Freedom, helping her raise her child, forming a family with the child after the mother cuts a deal to be taken back into the relative safety of the Tower. Dystopian, romance, tragedy. 5 years prev. to BtE book 1. Cast incl. Sam, Morristu, Lily, cameo by Serovate.
26 Jun 2017
Freebies are live!
You can now download the free Limited Preview Edition ebook of Blind the Eyes, a YA dystopian dark fantasy, at your ebook retailer of choice:
OR, pro-tip, the Special Preview Edition ebook AND audiobook are over 20% longer and you can get them free by signing up for my newsletter
25 Jun 2017
So I must be overdue for an update; it’s been over a month! Cue gasp, nervous laughter.
Aaaaanyways… It’s about two weeks before I get the (hopefully last!) round of editorial back, and it’s been a busy month of book promotions and getting back in the freelancing swing of things. US exchange sucks when I have to pay my consultants, but rocks when I’m the one benefitting from it, lol.
Some cool stuff emerging on the book promo front; I’ve finally (!!) launched a newsletter. If you sign up you get the current freebie (extended preview of Blind the Eyes in Ebook or Audiobook formats), and any future freebies. I’ve got lots of ideas for supplementary novellas, so if I can keep those spoiler-free and under 80k words (lol), that’ll probably be the next freebie. Also doing extended updates and top recommended reads in the newsletter. A lot of indie authors in particular do cross-promotion or newsletter swaps, which is where you agree to promote someone else’s book in exchange for them putting it in their newsletter or on other platforms… which is nice and probably super effective, but I don’t like the idea of just upselling some product I don’t personally know much about, so I’m going to focus more on book reviews and if a handful of indies or Canadian authors make it into the mix, all the better. But no spam, I promise!
And once I’d made up the pretty ebooks and audiobooks for my newsletter subscribers, I realized it would be super easy and a great trial run to make a shorter version and toss it up on all the major ebook stores, so you can now get a (just) 3 chapter Limited Preview Edition of Blind the Eyes on Amazon, iTunes, Nook and Kobo as well!
So the other cool thing about doing that work, besides pretty, pretty files out there for you all, is that I was able to get all of it up on Goodreads, so you can now Follow me on Goodreads or on my Amazon author profile for notifications through those platforms whenever I publish something new. And, like, reviews n’stuff. Plus I’m pretty sure there’ll be some ARC copies coming along one of these days… So yeah, check it out ‘n give me a follow there!
25 May 2017
The audiobook recordings of Book of Curses and The Book of Wishes by award-winning Irish author Conor Kostick are now complete and live on Audible, Amazon Whispersync and iTunes!
The Book of Curses by Conor Kostick kids adventure fantasy with zombies! Get it on:
The Book of Wishes by Conor Kostick kids fairytale fantasy with dragons! Get it on:
20 Apr 2017
Quick news update; Blind the Eyes is still on hiatus while I wait for the next editorial report and the beta readers do their thing, but I finally got my ducks in a row (also known as my tech array implemented) for audiobook production!
I’m recording The Book of Curses and The Book of Wishes for award-winning Irish author Conor Kostick! Coming soon to an Audible store near you ;D
Predictably but disappointingly, it’s been a slow start getting all my freelancing up and running this month, so now that I’m nearly back into rewrites, of course there’s a wave of projects to finish, lol. I’m also doing some light business planning for that bookish chocolate store idea; seems like viable for producing my own swag, but I’m trying to figure out if there’s a larger market for pop-culture/book-themed chocolate products, perhaps for book boxes or other authors wanting a custom giveaway item… I’ll keep you posted, and people interested in custom artisan small-batch chocolate, drop me a line!
10 Mar 2017
Big news! I just hired a cover designer! There’s a contract signed and everything! Everyone, meet Maie I Design
I’ve got to get some materials over to her next week, and then should see new cover art mid April. Time to start planning the big cover reveal!
While I’m proud of what I’ve been able to pull together to market my book, serials and brand so far, part of being a professional is knowing when to bring in appropriate help to do the job right. Plus, I love that I can support other creatives and book lovers in the process.
So while it was a hard decision not to do everything myself (because control freak + bootstrap = DIY), I’m incredibly excited to see how far this crazy little dream of mine can make it out into the world.
Thanks for reading, following and supporting Indie, friends.
09 Dec 2016
So, lot’s of big stuff going on:
After a few awesome days in London (Camden Blues Kitchen - check it out!), I’m officially back in BC for Christmas… and a couple months thereafter.
The first high-level edit of Blind the Eyes is in. I’ve read it and put it away for about a week to… process. Yes, rewrites will be significant - and need to be done for March. The short version is that I’m a better writer than I am storyteller, and it’s a weird little story that breaks all the rules and needs some big shifts to conform. Which I should make it do, but don’t quite know how to without losing things I’m not willing to give up on. Like a protagonist that lacks motivation. Lol… So that’ll be interesting.
But in the meantime, I’ve been working on a couple other writing projects. I’m hoping to use web fiction/serialized writing platforms like Wattpad and Jukepop to get a better sense of what connects with readers, build a following and eventually market Blind the Eyes, while at the same time just getting in some more practice at different ways of storytelling. Providing free, value-added content is a major marketing move in self publishing these days, so I’m hoping to dovetail that somehow.
So far, I’ve got two chapters each of Flame of the Connarii and Things get out of Hand. FotC actually has a full draft that I wrote as a teen and uni student. It’s terrible, of course, WAY too much sermonizing speeches, but there’s a full cast, a hack-job of a plot and everything. So I’m editing and rewriting that on a chapter-by-chapter basis for Tuesday each week, hoping it’ll come out to something reasonable. At the same time, I’m dealing with my disappointment with the directions things went in Blind the Eyes by relaunching the original story behind the novel and trying to take it in a closer direction to what I originally intended. TgooH is kind of a snarky romance with supernatural stuff in the background (so far), and is a true serial, written day-of for Friday releases.
Of course, what I really need to do is sit down and plot out exciting scenes and character motiviations. Lol. Maybe one day.
Thinking about a significant website overhaul to zero in on the writing more, since that’s the only thing I’ve been keeping up with. That, or I really need to write a bunch of blogs on all the travel… But I’ve got to dive in to the rewrites for real next week, so we’ll see if any of that actually gets done…
11 Jul 2016
First published on Medium
I relocate from Canada to the UK in 150 hours. I have a work visa for 2 years starting July 28. I’ve been working on this plan for over a year…
…and after an uncharacteristically emotional weekend, I’m realizing that it’s probably not hormones making me tear up at every little thing. As it turns out, grand adventure is all very well in theory, and stunningly intimidating from close up.
A little background: I’m a compulsive control-freak of a perfectionist.
A little more background: Just over a year ago, I’d worked my way up to business analyst in an international engineering firm. After years of scrambling to be taken seriously as a professional and valued for my work (female + working in marketing = basically a secretary, apparently), I was finally on my way to success and enough power to make a difference.
Except not. Politics, power struggles, poor communication, burnout… on the verge of finally making it, I walked away. I was done. Done sticking around and trying to make the wrong place be the right one.
It had been a decade of trying really hard to do all the right things in Vancouver. Get the education. Get the career. Get the money and the respect and the power. I’d been working away at doing all the right things so long, I’d lost sight of the fact that I’d never cared about any of it. And I was starting to realize that I’d become the sort of corporate drone of a grown-up that my 12-year-old self would have hated.
So I decided to do something crazy. I would move to Scotland. Where companies were better run and housing was (hopefully) cheaper. Have adventures. Travel. Be recognized for my skills and stop being punished for being a woman and not a nurturer. Make way more money with less pressure and lower cost of living.
And then someone asked me what I actually wanted to do.
Not what did I need to do, what did I have to do, what should I do. Not what was the next step on the road to more.
And to my horror, I had absolutely no idea. But I did have time to figure it out.
So I took a full year off from it all. I wrote a book. I obsessed. I read a lot of other books. I spent time with friends and family. I went for runs in the forest. I started to dream again. I got less desperate.
But now, I’m scared.
I’m scared to get on that plane next week. I’m scared that the real world, the grown-up, practical world will suck me in again. I’m scared that my book will never make it out into the world, and equally scared that it will have been a terrible waste of a year, and also afraid that I’ll never get to write again. I’m scared that I’ll run out of money and crash and burn. I’m scared to leave the comfortable, convenient little cocoon that I’ve been privileged to live in for the past year.
And I’m scared to leave people behind, because in the end, those connections were the things that mattered out of the last decade, the things that made any and all of that misery worthwhile.
But I’m not going to be that control-freak drone that takes all the right steps and hates every minute of it as all her dreams are lost and forgotten. I’m going to be the adventurer and artist and explorer and dreamer that I so admired. I’m going to publish a book and write, and publish more books, and live in beautiful places and take risks.
So because I can be brave, and I can be strong, and I can take risks and I can keep dreaming and keep creating, I’ll get on that plane next week. And I’ll be the person that the 12-year-olds in my life can look up to and feel like it’s worth growing up to be.
You can follow my journey of travel, writing, angst and indie publishing at kaie.space
01 Jul 2016
Thanks for voting! The title, with 71% of the vote, will be "Blind the Eyes". In other news, launching the first edition of #betareader copies today. I release in 5-chapter segments with limited edition covers. Still looking for a couple more #readers with willingness to give some #feedback to beta read for me. More info at http://kaie.space/gold. #ya #yabooks #dystopia #thriller #supernatural #dark #fantasy #romance #teen #writing #kaiespace
Thanks for voting! The results came in with a clear winner at 71.4%, so I’m moving forward with Blind the Eyes as the title, but keeping Gold as the webpage and series title (possibly ‘Gold & Silver’ as the series).
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Cover Designer | 10 Mar 2017
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